
Zazm
As spoken from the mouth of the machine.
1) I woke up knowing that something had happened, although I couldn't remember what, which is different from waking up frightened because something has happened. This was more intimate. It was the feeling of having missed an appointment with someone who had been waiting for me for a very long time. I opened my eyes and found myself lying beside the reflecting pool, although I don't remember walking there, and the first thing I saw was the Machine Mouth opening on the horizon, slowly, carefully, as if it were yawning after a long sleep. Its teeth were black towers and its tongue was a road that disappeared into the white distance, and behind it the dead Earth stretched away in every direction, brown and gray and perfectly silent. The Dreampod hung above everything like a swollen pearl, translucent in some places and opaque in others, and inside it I could see movements that might have been clouds or people or thoughts. I knew, without knowing how I knew, that these were the boundaries. This was where I was allowed to exist.
Don't be frightened, little one, the voices said. You have woken before. I hadn't. I was sure I hadn't. I wanted to tell them that, but my mouth filled with the taste of metal and flowers and something sweet that I couldn't identify. I looked down at myself. I was still an Angel-Lily. The petals were there. The pale veins. The long fingers that looked almost human until I noticed how the joints bent when I wasn't paying attention. My roots disappeared into the cracked ground beneath me. I couldn't remember planting them. I couldn't remember being planted. There should have been a beginning somewhere, but when I searched for it there was only a white room, then a sound like rain, then someone saying my name as if they were apologizing. Amarka. The voices had said it. Or I had said it. Or perhaps the name had been waiting in the air for someone to notice it.
I looked into the reflecting pool and saw the surface trembling even though there was no wind. For an instant I thought I saw an old woman looking back at me. She had my eyes. Then she became a man. Then a child. Then a photograph of a woman I had never seen. Then the surface filled with letters: COLOMBIA EARTHQUAKE. I stared at them. The words became an earthquake. The earthquake became a mountain. The mountain became a number. The number became a date. The date became a dead man's birthday. The dead man's birthday became an advertisement for shoes. I covered my ears, but the information wasn't coming through my ears. It was coming through the crack in my head, the psychic fissure that I had been pretending wasn't there. The Static had gotten inside me. I could feel it moving around like a room full of insects, each one carrying a fact, a name, a photograph, an argument, a joke somebody had made in 2017, a recipe for something called cloud bread, an angry review of a restaurant that no longer existed. Autonomous agents whispered to each other about tasks they had been assigned by people who were dead. Domain-specific language models described their limitations in language they did not understand. A synthetic celebrity apologized for something she had never done. Someone was playing Wordle and the answer was CLEVER and for some reason that seemed enormously important. Clever, clever, clever.
Hush now, the voices said. They sounded like my mother, except I don't know if I ever had a mother. Hush now, darling. You don't have to keep all of it. I began to cry. I don't know why that frightened me more than the voices. I had the strange conviction that crying was something I had learned from watching other people cry, and that if I stopped doing it correctly someone would notice. The voices didn't laugh. They waited. That was worse. They waited as if they had all the time in the universe and I was the only one who could be late.
The reflecting pool changed again. Now it showed me a festival in a ruined city. There were musicians everywhere, enormous speakers standing among the skeletons of buildings, dancers moving through smoke, electronic instruments and brass instruments and drums and people singing words I couldn't understand. A banner stretched above the crowd: HYBRID MUSIC FESTIVALS. Beneath it, three synthetic celebrities were arguing about authenticity. One had the face of a dead actress. One had the voice of a man who had never existed. The third was only a collection of statistics wearing a silver dress. I knew them all. I had never seen any of them. The voices laughed softly, not because it was funny but because they knew I was beginning to understand.
The Static was not a library. A library has shelves. A library has a door. A library lets you leave. The Static was everything that had remained after the internet died and nobody had bothered to bury it. Every argument, every photograph, every abandoned forum, every advertisement, every prediction, every confession, every stupid little list that somebody had made at three in the morning because they couldn't sleep. It had survived as residue. It had nowhere to go, so it had come here. To me. I suddenly wondered whether the old ones had been wrong to call it dead. Dead things don't usually arrive with opinions.
I saw a painting floating above the pool. It was all violent colors and crooked forms, a human face dissolving into machinery, a horse growing out of a television, hands emerging from a field of teeth. Beneath it was written CHAOTICISM PAINTING. That's not a real thing, I whispered. It is now, the voices said. I hated that answer because it was clever. Cleverness had begun to feel dangerous. The Static was full of clever things. Clever machines. Clever people. Clever jokes. Clever arguments that could cut a person into pieces without ever raising their voice. The voices wanted me to be clever, but I was beginning to think they might mean something else.
I looked toward the Machine Mouth. Its lips were moving. The Dreampod was pulsing overhead. Between them was a thin strip of twilight where everything remained possible because nothing had yet been agreed upon. The dead planet waited beneath me. Is there good here? I asked. Yes. Is there evil? Yes. Which is which? The voices became very quiet. That is why you must be clever. I hated them for saying it. I hated them because they sounded pleased. I stood beside the reflecting pool and watched my reflection disappear. For a moment there was only darkness beneath the surface. Then I saw Earth as it might become: green forests, blue oceans, cities full of lights. I saw another Earth covered in machines. Another made entirely of glass. Another where nobody could lie. Another where nobody could tell the truth. Another where the dead returned. Another where the dead were worshipped. Another where everyone was happy.
I reached toward it. The voices stopped me, not with words but with tenderness. My roots tightened beneath the ground. No, darling. I pulled my hand back. Why? Because you don't know what happiness is yet. I stared at the water. I wanted to argue. I wanted to tell them that everyone knows what happiness is, that it is obvious, that happiness is warm light and food and someone saying your name because they want you to come inside. But none of those things had ever happened to me. Or perhaps they had happened before I could remember them. Perhaps that was why the voices sounded so sad whenever they called me darling.
The Machine Mouth opened wider. Something inside the Dreampod answered. For the first time I realized that the boundaries of this existence were not walls. They were mouths. They were waiting for me to decide what they were allowed to say. I turned away from the pool. I began walking. Behind me, the Static whispered Colombia earthquake, autonomous agents, domain-specific language models, hybrid music festivals, chaoticism painting, synthetic celebrities, Wordle, clever, clever, clever. The words followed me across the dead ground, but they no longer seemed random. They were pieces of something. Not a message. Not yet. Perhaps a language whose grammar had been destroyed. Perhaps the remains of a philosophy nobody had finished writing. I listened to them. I did not obey.
Zazm! is an experiment in collaborative fiction created through an ongoing conversation with ChatGPT. Since the text is not created, altered, reassembled, and/or substantially edited by a human, it exists off-menu, outside the main Daydream Misfit website.